The Best Wide Range Camera Lens

Panasonic LUMIX Mirrorless Micro Four Thirds camera lenses deliver a no-compromise approach to optical performance for modern interchangeable camera enthusiasts and professionals. Part of the X Series lens, this newly refreshed Panasonic LUMIX Professional Camera Lens G X VARIO II H-HSA12035 features Panasonic’s Nano Surface Coating to reduce bothersome reflections across the entire light spectrum for the highest standards of detail and sharpness. Built for the outdoors, this professional grade metal body lens features a splash / dustproof design when mounted on a compatible LUMIX G Mirrorless camera. Featuring Power O.I.S. optical image stabilization compatibility with 5-Axis Dual I.S. 2.0 (Image Stabilization), you’ll shoot with unprecedented hand-held stability across both video and still. For added versatile high performance, this high-speed zoom lens offers a high F2.8 constant aperture brightness over the entire zoom range and a focal length of 12-35mm (35mm camera equivalent: 24-70mm) to cover wide-angle to standard to medium telephoto shooting. What’s more, the stunning AF performance of this lens records excellent 4K video where precise focusing is essential. Make the switch from bulky DSLRs to the smaller, lighter, more compact Mirrorless Micro Four Thirds system cameras and lenses from Panasonic LUMIX.

The Canon EF 100mm f/2.8L IS USM Macro Lens is the first mid-telephoto macro lens to include Canon’s sophisticated Image Stabilization. With the highest quality optics available, combined with near-silent Ultrasonic focusing and life-size close-up capabilities without an adapter, the EF 100mm f/2.8L Macro IS USM is simply unrivaled. The Hybrid Image Stabilization Technology effectively compensates for both angular and shift camera shake during close-up shooting. The lens was developed to expand users’ photographing range and allow a wider range of users to easily enjoy macro photography. Suitable for Nature/concert/potrait and close up/product photography

Product Description

Built-in Optical SteadyShot image stabilization. Large F1.8 aperture. Smooth and quiet high-speed focusing. Compact and lightweight Direct Manual Focus (DMF)

From the Manufacturer

E 50mm F1.8 OSS Prime Lens

This 50mm mid range telephoto lens offers a focal length that is perfect for portraiture and a range of other subjects, a bright F1.8 maximum aperture, Optical SteadyShot (OSS) image stabilization and impressive image quality, all in a surprisingly compact and lightweight package. Add responsive, quiet autofocus and aperture operation, and you have a lens that is ideally suited to shooting movies as well as stills.

Technology

Circular Aperture

When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.

Lens-based optical image stabilization

Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills.

Additional Features

Internal focusing

Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.

2011 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographic and photographic errors. Features and specifications are subject to change without notice. Sony, BIONZ, BRAVIA, BRAVIA Sync, Cyber-shot, Exmor, InfoLITHIUM, Memory Stick PRO Duo, Memory Stick Duo, the Memory Stick logo, Optical SteadyShot, Remote Commander, Smile Shutter, Stamina, SteadyShot, Theatre Sync, TruBlack, and Xtra Fine LCD are trademarks of Sony. Microsoft, Windows, and Windows Vista are trademarks of Microsoft Corporation. Mac OS and iMovie are trademarks of Apple Computers, Inc. HDMI is a trademark of HDMI Licensing LLC. All other trademarks are trademarks of their respective owners.

Product Description

Wide zoom range (82 – 315mm 35mm equivalent) ideal for sports or natureInternal focusing for smooth, quiet operation – perfect for video capture. Get an amazingly high quality E-mount zoom lens with Optical SteadyShot image stabilization perfect for taking along to your next sports game or on adventure in the great outdoors. Align the white index on the lens barrel with the white index on the camera (mounting index), then insert the lens into the camera mount and rotate it clockwise until it locks.

From the Manufacturer

E 55-210mm F4.5-6.3 OSS Zoom Lens

This 55-210mm lens offers a superb balance of form and function: ample zoom range in a compact design that is lightweight and remarkably comfortable to hold and operate. Built-in Optical SteadyShot image stabilization system makes it possible to produce sharp images even when shooting handheld in low light.

Technology

Circular Aperture

When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.

ED (Extra-low Dispersion) glass

As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration.

Aspherical lens elements

Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality.

Lens-based optical image stabilization

Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills.

Additional Features

Internal focusing

Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.

2014 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographic and photographic errors. Features and specifications are subject to change without notice. Sony and Optical SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners.

Product Description

From the Manufacturer: Fast-aperture, high performance wide-angle zoom optimized for FX and DX-format sensors and features Nikon’s ED Glass and Nano Crystal CoatFast, wide-angle to medium Telephoto AF-S zoom lens optimized for edge-to-edge sharpness on both the Nikon FX (23.9 x 36mm) and DX format image sensors Three Extra-low Dispersion (ED) elements and PGM aspherical lenses control chromatic aberrations while enhancing sharpness and contrast, even at the widest aperture settings Nikon’s Silent Wave Motor (SWM) enables ultra high-speed auto focusing with exceptional accuracy and powerful, super-quiet operation Focus as close as 14.9 inches M/A focus mode switch enables quick response to changing situations between manual and auto focus operation Enhanced optical formulas engineered to produce exceptional sharpness, contrast and color, rendering outstanding image integrity Exclusive Nano Crystal Coat further reduces ghosting and flare for even greater image clarity Internal Focus (IF) provides fast and quiet auto focusing without changing the length of the lens, retaining subject-working distance through the focus range Rugged construction with professional-grade dust and moisture resistance . Features picture angle with 35mm (135) format – 84° – 34°20’ and picture angle with nikon DX format – 61° – 22°50’ . Dimensions (approx.) (from the cameras lens mounting flange) – 83 x 133 mm

From the Manufacturer

• Fast-aperture, high performance wide-angle zoom optimized for FX and DX-format sensors and features Nikon’s ED Glass and Nano Crystal Coat

• Fast, wide-angle to medium Telephoto AF-S zoom lens optimized for edge-to-edge sharpness on both the Nikon FX (23.9 x 36mm) and DX format image sensors

• Internal Focus (IF) provides fast and quiet auto focusing without changing the length of the lens, retaining subject-working distance through the focus range

• Rugged construction with professional-grade dust and moisture resistance

a6400 Mirrorless Interchangeable-Lens Camera (Body Only). Operating Temperature – 32 – 104 degrees F / 0 – 40 degrees C

From the Manufacturer

Designed to meet consumer demands for a fast EF-S zoom lens, the EF-S 17-55mm offers image quality on par with Canon’s highly regarded L-series lenses. The lens features a large circular aperture that produces a shallow depth of field, creating background blur that draws special attention to the photographic subject. The lens construction, meanwhile, includes UD and aspherical elements that deliver impressive image quality throughout the entire zoom range. And thanks to the Image Stabilizer lens groups–which shift to compensate for camera shake–the image appears crisp and clear on the image plane, eve in dim light. Finally, the lens offers a ring-type ultra-sonic monitor (USM), inner focusing, and new AF algorithms to help achieve autofocus quickly and quietly, along with full-time mechanical manual focusing that makes it possible to manually adjust the focus even in AF mode. As with all Canon lenses, this lens carries a one-year warranty.

• Focal length: 17-55mm
• Maximum aperture: f/2.8
• Lens construction: 19 elements in 12 groups
• Diagonal angle of view: 78 degrees (at 30 feet) to 27 degrees (at 50 feet)
• Focus adjustment: AF with full-time manual
• Closest focusing distance: 1.15 feet
• Zoom system: 5-group helical zoom (front group moves 27mm)
• Filter size: 77mm
• Dimensions: 3.3 inches in diameter, 4.4 inches long
• Weight: 22.8 ounces

The EF-S 17-55mm f2.8 IS USM offers image quality on a par with Canon’s highly regarded L-series lenses. It has a large maximum aperture which, combined with higher shutter speeds, can minimize subject motion blur. Shallow depth-of-field separation of a subject from its background is much easier to achieve and the f2.8 maximum aperture allows a bright finder and extremely precise focusing with f2.8 compatible AF sensors. The internal stabilization has a sharpness benefit equivalent to a three-stop faster shutter speed, making this lens outstanding in low-light situations. Smaller and lighter than lenses of similar specifications, the EF-S 17-55 mm f2.8 IS USM lens has a 35mm equivalent focal length of 27-88mm and is compatible only with the EOS 30D, EOS 20D, EOS Digital Rebel XT, and EOS Digital Rebel SLRs. To meet user demands for a fast EF-S zoom lens, Canon has specially designed a new lens with a large aperture of f/2.8 for select Canon Digital SLR cameras. The large circular aperture produces a shallow depth-of-field, creating background blur that draws attention to the photographic subject. The lens construction includes UD and aspherical elements, which deliver impressive image quality throughout the entire zoom range. Image Stabilizer lens groups shift to compensate for camera movement so that the image appears steady on the image plane, ensuring clear, crisp images, even in dim light. With a Ring-type USM, inner focusing and new AF algorithms, this lens achieves autofocus quickly and quietly, and with full-time mechanical manual focusing, manually adjusting the focus is possible even in AF mode.

About this camera:
This camera has been pre programmed; you don’t need to change any setting for that. The only thing you need to do is to mount the camera on the wall, then zoom the lens to the position that you want.

Limitations for all license plate cameras in the market:
1.Camera has to be mounted straight to the license plate, the angle has to be less than 30 degrees, and otherwise you may get refection from the plate.
2.The car speed should be lower than 25 miles.
3.The license plate size has to be bigger than 1/15 of the screen.

Zoom and Focus:
1.The zoom and focus are located at the bottom of the camera. There are two holes for adjusting; you need to use a hex key to adjust them.
2.If you are unable to zoom or focus the camera via those two holes, the gear might be loose inside the camera. It may be caused by delivery or over adjust the gear. The solution is to carefully open the camera front panel using a screwdriver, and then line the two gears up. (This step won’t void the warranty)

Setup OSD menu for night time
1.If you want this camera to block the car headlight at night time, please get into the camera OSD menu (the button is on the camera cord), then turn on HLC (back light compensation).
2.You may also adjust the shutter speed if license plate number is blurry due to car movement at night time.

The Sony FE 24-70mm F2.8 GM Zoom Lens is the ultimate choice for those seeking the highest possible optical performance for portrait, travel and event photography or even simple everyday shooting. Built with three aspherical elements including a newly developed, extremely precise XA (extreme aspherical) element that reduces aberration and delivers the ultimate resolution throughout the entire zoom range and aperture range. ED (Extra-low-Dispersion) glass element and Super ED glass element keep chromatic aberration to a minimum while maximizing resolution and bokeh without any unnatural coloration. To maximize usability this lens also features a dust/moisture resistant design, AF/MF switch, circular aperture, Nano AR coating, compact, a direct drive SSM (Super Sonic wave Motor) focusing system that is super smooth and quiet, making it an ideal choice for shooting both still images as well as movies.